{"id":495,"date":"2024-07-10T00:44:29","date_gmt":"2024-07-10T00:44:29","guid":{"rendered":"https:\/\/www.prudence-reeslee.com\/new\/?p=495"},"modified":"2024-08-01T06:21:23","modified_gmt":"2024-08-01T06:21:23","slug":"artfilm-eiko-ishibashi","status":"publish","type":"post","link":"https:\/\/www.prudence-reeslee.com\/new\/2024\/07\/10\/artfilm-eiko-ishibashi\/","title":{"rendered":"ART+FILM: Eiko Ishibashi"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”10px” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”250″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” 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Join\u00a0Drive My Car<\/em>\u00a0composer Eiko Ishibashi as she discusses her approach to developing her song worlds.<\/h4>\n<\/div>\n<\/div>\n
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Japanese musician and composer Eiko Ishibashi has created a dynamic approach to sound that operates at the nexus of song form and score. A multi-instrumentalist, Ishibashi has maintained a unique approach to melody and texture that has become her trademark.<\/p>\n

Whilst widely acknowledged for her albums on imprints such as\u00a0Drag City<\/em>, lately it is her film work which has gathered increased awareness. Her collaboration with Ry\u00fbsuke Hamaguchi has produced a series of acclaimed film projects including\u00a0Drive My Car<\/em>\u00a0and most recently,\u00a0Evil Does Not Exist<\/em>.<\/p>\n

For her presentation, Ishibashi speaks about her approaches to composition and considers how film has offered her new perspectives for which to develop and expand her sound worlds.<\/p>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][split_line_heading animation_type=”line-reveal-by-space” font_style=”h1″ line_reveal_by_space_text_effect=”default” content_alignment=”default” mobile_content_alignment=”inherit” link_target=”_self” text_content=”ART+FILM: Eiko Ishibashi” font_size=”5.5vw” text_direction=”default” font_size_tablet=”60px”][\/split_line_heading][vc_column_text css=”” text_direction=”default” el_class=”mono”]I was delighted to host a Q&A with Eiko Ishibashi at acmi<\/p>\n

Event page<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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