{"id":507,"date":"2024-06-13T01:01:00","date_gmt":"2024-06-13T01:01:00","guid":{"rendered":"https:\/\/www.prudence-reeslee.com\/new\/?p=507"},"modified":"2024-08-01T07:56:35","modified_gmt":"2024-08-01T07:56:35","slug":"sonic-utopias-crafting-a-new-language-for-spatial-composition","status":"publish","type":"post","link":"https:\/\/www.prudence-reeslee.com\/new\/2024\/06\/13\/sonic-utopias-crafting-a-new-language-for-spatial-composition\/","title":{"rendered":"Sonic Utopias: Crafting a New Language for Spatial Composition"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column 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A sound installation for vintage electronics, software and acoustic instruments, using custom ultrasonic kinetic speakers designed for an audience to be within.<\/h2>\n

 <\/p>\n

How do we remain?<\/em>\u00a0turns the Primrose Potter Salon into an immersive aural soundscape by projecting sound onto the walls, resulting in a space of darkened sanctuary.<\/p>\n

With ultrasonic speakers mounted on moving gimbals, and live musicians intermittently contributing to the physical and aural space,\u00a0How do we remain?<\/em>\u00a0asks, as we live with the cognitive dissonance of how the world is today, can we imagine a discipline of respite and resistance?<\/p>\n

As the fabric of the piece evolves, with elements of artificial sound and voice constantly developing,\u00a0How do we remain?<\/em>\u00a0is designed for audiences to stay for as long as they like and appreciate the mesmerising and ever-changing choreography of sound.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][split_line_heading animation_type=”line-reveal-by-space” font_style=”h1″ line_reveal_by_space_text_effect=”default” content_alignment=”default” mobile_content_alignment=”inherit” link_target=”_self” text_content=”Sonic Utopias: Crafting a New Language for Spatial Composition” font_size=”4.5vw” text_direction=”default” font_size_tablet=”60px”][\/split_line_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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